Arundhati Roy’s Fascinating Mess

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By Parul Sehgal, the Atlantic, July/August 2017

To so confidently believe oneself to be on the right side of history is risky—for a writer especially. In that balmy glow of self-regard, complacency can easily take root. And good prose demands a measure of self-doubt—the worry that nags at a writer, that forces her to double back on her sentences, unravel and knit them up again, asking repeatedly: Is this clear? Is this true? Is this enticing? This book has a slackness to it that suggests Roy has abdicated some of these anxieties.

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